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2024–25 J. Irwin and Xenia S. Miller Prize Recipients
Adaptive Operations
Accessing Nostalgia
The 136-year-old Crump Theatre is a vessel that holds the collective memory of Columbus, one that is illuminated with the projections of a not-so-distant past. Accessing Nostalgia creates new apertures, literally and metaphorically, within and around The Crump that allows a creative nostalgia to be projected; a nostalgia not for historic reenactment, nor for historic revision, but one that searches for a past perfect that can point to an idealized future. The apertures, or portals are an attempt to peel away and gaze at parts of the building that demonstrate how it has reinvented itself over its history, and how it can continue that pattern in a way that expands its access to arts and culture.
The recent preservation efforts demonstrated by its diverse community of supporters show that The Crump is valued as something other than an obsolete piece of real estate. It shows that it is part of a bigger trajectory and narrative that says this is a community that values arts and culture and will prioritize this in a way that treats its built environment as an active member of that community.
AD—WO
Ellipsis
Ellipsis is an architecture that excavates omitted histories while making space for the vibrant presences and emergent futures of Black and Indigenous communities in Indiana. Drawing from J. Kameron Carter’s meditations on the poetics of “black religion” as situated between the geometry of an ellipse and the literary device of an ellipsis (...), the design resists a singular center, instead embracing incompletion, multiplicity, and relationality. An elliptical mound and canopy frame spaces for movement and contemplation. The project’s approach to programming is conceptualized as an ellipsis and able to host gatherings and workshops to reconstruct histories that were left out of modern records.
Ellipsis occupies the Irwin Block, a site where a 130-year-old building was destroyed by fire in 2022. In response to these multiple timescales of loss, Ellipsis references Indigenous land remediation techniques, particularly cultural burnings, that mythologize fire as medicine, an agent of loss and renewal enacted to maintain abundant ecosystems and to steward plant and animal life. The intervention begins with earthworks and cut-and-fill operations carving a subterranean path into the site and building a prairie mound around it. Hovering above this path and mound is a fire-treated timber canopy, providing shelter for community gatherings below.
Studio Barnes
Joy Riding
Joy Riding is a multimedia experience that highlights the joyous nature of Black car culture in conversation with the iconic aesthetics of the mid-century modern architecture of Columbus. The project transforms the Jackson Street Parking Garage into a destination for music, entertainment, and civic joy.
The installation consists of sculptural frames affixed to the building’s façade, reimagining the garage as a contemporary monument to the subwoofers typically found in the trunk of a classic mid-western car, as well as a bespoke, Transformer-like sound system mimicking the proportions and materials of mid-century modern furniture. When in its fully transformed state, it evokes the deep basslines central to Black car culture, underscoring how sound, ritual, and assembly have long served as catalysts for celebration. Crowning the structure, a vibrant mural collapses Columbus’s iconic architecture and the standard parking stall to offer space for rituals forged by collective imagination.
Over its duration, Joy Riding aims to remind visitors of the fun they had riding in the car with friends, listening to their favorite album, and finding joy in the simple pleasures of sitting in the parking lot.
Studio Cooke John
Lift
Lift is grounded in the architectural legacy of Saarinen’s First Christian Church that will open the sunken courtyard to new ways of connecting. It erases perceptions of a congregation that is old-fashioned, formal, and impersonal while inviting everyone to come in and experience the love and welcome of the church community made up of people from all walks of life.
Lift responds to the lines and grids of the iconic building with a gridded base anchored to the lawn. Fabric moves organically through the lines of the cubes, connecting them and generating multiple ways of engaging within the varying spaces it creates. The fabric extends upwards, becoming kite-like, with layered, colorful textures soaring high into the air and visible from 5th Street. It calls passersby down into the courtyard. It announces that all are welcome into the space of contemplation and reflection, the spaces of whimsy and wonder, the space of a loving faith community. From below, visitors feel lifted as their gaze is drawn towards the sky, while still rooted to the earth.
Lift connects the heavenly and the earthbound, the faith community and the architectural treasure, the space of the church with the space of the larger Columbus community.